Creative's Fatal1ty-Branded MKII Headset Won't Make You a Better Gamer, but It Probably Sounds Nice

Creative says their Fatal1ty Gaming Headset is professional grade gaming equipment, with 40mm neodymium drivers and 20-20,000 Hz range. Respectable specs, sure, but I'm not sure it will transform you into a headshot god.

In any case, the Fatal1ty Headset has gold plated plugs, oxygen-free copper wire, sound isolating cups and a boom microphone that detatches. And when you use the headset with a Creative Sound Blaster X-Fi Titanium sound card, you get active noise cancellation and voice morphing capabilities. The Fatil1ty Gaming Headset MKII will retail later this month for $100, and will be available for pre-order starting today on Amazon, Newegg and direct from Creative.

Creative Unleashes Fatal1ty Professional Series Gaming Headset Mk II at E3

Ups the Game with Silencer Technology for Sound Blaster X-Fi Titanium Sound Cards

Los Angeles, CA June 2, 2009 – Creative today unleashed its new Fatal1ty Professional Series Gaming Headset Mk II at the Electronic Entertainment Expo (E3). World champion gamer Johnathan "Fatal1ty" Wendel will compete with and demo his new Creative headset in the Fatal1ty booth #2922 in the South Hall of the Los Angeles Convention Center from June 2-4.

The Creative Fatal1ty Professional Series Gaming Headset Mk II looks tough and sounds sweet. Jet black ear cups with mesh grill accents framed in red and the adjustable flexible boom microphone set it apart as pro-style gaming gear. Because it's backed by Creative audio technology, the Fatal1ty Professional Series Gaming Headset Mk II sounds as killer as it looks. Full spectrum (20Hz ~ 20 kHz) 40mm neodymium drivers along with Oxygen-Free Copper (OFC) cable and gold-plated stereo mini plugs deliver crystal-clear sound in any game, from MMO to FPS.

The Creative Fatal1ty Professional Series Gaming Headset Mk II is designed for comfort as much as performance. Plush ear cups are shaped for sound isolation so you can keep your head in the game, and the headband is lightweight, padded and adjustable for a custom, precise fit. The headset also makes a great set of headphones when you simply detach the boom microphone.

When paired with a Creative Sound Blaster X-Fi Titanium sound card, the Creative Fatal1ty Professional Series Gaming Headset Mk II unlocks Creative's exclusive Silencer™ technology. Silencer blocks out the background noise around you, whether it's blaring music or a barking dog, so the people you're gaming with online can hear you clearly without annoying distractions.

"We're excited to return to E3 with Fatal1ty to break out the best gaming headset we've ever designed. The audio quality is awesome, and the Fatal1ty Professional Series MkII is amazingly comfortable and lightweight," said Steve Erickson, VP and GM of audio and video at Creative. "With this headset we're giving Sound Blaster X-Fi Titanium users the first shot at Silencer, and we're confident that it will become an essential part of their audio arsenal."

Sound Blaster X-Fi Titanium users can also transform into their game character by disguising their voices with VoiceFX™, which offers 18 selectable voice-morph personas that range from Aliens to Orc.

Pricing and Availability

Priced at US$99.99, the Creative Fatal1ty Professional Series Gaming Headset Mk II is slated for availability this month and is available now for pre-order at http://www.amazon.com/dp/B002BH3JDA. It will also be available at www.newegg.com and www.creative.com. For more information visit www.creative.com.

SupaFast - i'll take 3

Iomega eGo Triple-Interface 500GB Drive Drops a Gig In 15 Seconds Flat

Sure it's shiny, ruby red and super lightweight, holds 500GB and connects—with power—via USB 2.0, FireWire 400 or FireWire 800. But the best thing about the newest Iomega eGo is that it can move files faster than (almost) anything I've seen.

The only downside I can see some of you noting is that the bus-powered 2.5" drive is 5400rpm, so not as ideal as a 7200rpm drive for serious amounts of randomly accessed video content, but it's amazing when you're moving files around.

I tested it against other drives using a 1.04GB file (an MPEG-4 rip of my Burn After Reading DVD). When I copied that file to a nice SanDisk Extreme III SDHC card, via an ExpressCard SanDisk SDHC reader, it took 1 minute 48 seconds. When I moved it to an old USB 2.0 IDE drive, the same file took 38 seconds. On a PC, I moved that file to a newer USB 2.0 drive, and it took longer, 52 seconds. When I moved that file from the Mac to the eGo via FireWire 800, it took just 15 seconds.

As you might have guessed, it took about twice as long via USB 2.0, and since Apple has pretty much given up on the FireWire 400 format, I didn't test that, but it would have probably been even slower still. I have to say, there was one drive that was even faster: A 7200rpm 3.5" 2TB Seagate Free Agent XTreme that you have to plug into the wall, connected to an HP notebook via eSATA. At first, it took 23 seconds to move that file from PC to drive. But I reformatted the drive so that it didn't have its own software in the way, and boom, the thing scooted from PC to drive in 11 seconds.

But I digress. The point is, for people who have a FireWire 800 jack, but might need to connect elsewhere using USB 2.0, grabbing this totally bus-powered drive is smart. I plan to offload all of my movies to it, and just plug them in when I am on the road, or at home and in possession of Apple Remote and Mini-DisplayPort-to-HDMI adapter.

It's super light (7 oz) and has "Drop Guard" protection for falls of up to 51 inches. My only gripe is the ridiculously shiny blue LED that indicates when the drive is being read or written to. It's so bright, I decided to tape over it, so that the neighbors wouldn't think I was busy laser-welding my homemade Iron Man suit (again).

The 500GB version is $150, and comes in the red you see. There's a 320GB that comes in blue for $110, and a white one that holds 250GB for just under $100. (It doesn't take a lot of math skills to see why the red is the best bet.) [Iomega]

http://gizmodo.com/5275139/iomega-ego-triple+interface-500gb-drive-drops-a-gig-in-15-seconds-flat

Neat Challenge

giz:

Sigma DP2 Camera Review: It's Complicated

When I first fiddled with the DP2, I was like "Who would ever want this?" Then I shot some of the most amazing photos I've ever taken.

The Set Up: Sigma calls this camera a DSLR in the body of a point and shoot, and they're kinda right. It's got the Foveon X3 sensor, which is just a hair smaller than the Nikon and Canon APS-C sensors. Sigma has carefully paired a fixed 24.2mm F2.8 lens in order, they told me, to maximize the benefits of that larger sensor. No zoom lens would do, they said, because picture quality would likely suffer.

To make things even more complicated, for these same reasons, they could only build in contrast-based autofocus. Though more accurate, it takes a lot longer to focus, and, in this camera, tends to give up easily when it can't quite do it. It was often hard to get a satisfied chirp that meant focus was locked, especially in lower light conditions. Many hastily shot shots are blurry beyond help.

As you can see, this camera is low in the frills department, with greater reward going to those who can shoot manually, and most certainly in RAW. Meaning my first shots were hideous things, and it took a few days for me to become worthy enough to even hold the bastard. Eventually, slowly, I learned what it could—and could not—do.



The Bad News: Let's repeat: There's just the one fixed lens, which isn't much of a wide angle, isn't much of a macro, isn't exactly "fast" by today's DSLR standards, and does not zoom. You have to get in the habit of going to your subjects, then making them stay still long enough to get a decent focus, then a decent shot. To add to the troubles, the sensor that is pristine at ISO 200 is noisy as crap at ISO 800, which means you also have to shoot longer at times to make up for it.

Sigma people said that the ISO should be compared to other point-and-shoots, and that shooting RAW and converting it to JPEG on the computer cuts down on the noise, but even so, check out how crazy the noise was at 1600 after RAW post-processing on the computer:



It's a mess, you know? I did manage to make some artistic looking black-and-whites by just desaturating the grainy 1600 shots—frankly, they were pretty cool, but it's something you'd want the option to do, not something you should be forced into.

Other dings the camera gets are a lack of RAW+JPEG mode—what I like to call "insurance+good enough"—some extremely abysmal QVGA video mode that probably should have been left out of the product altogether because it's pointless, and poor battery life. When Sigma sent me the camera, they included a spare battery. I thought it odd at the time given how insanely great camera battery life is these days usually. Clearly they knew something I didn't. On top of all that, it's just not terrifically small—Olympus and Panasonic are pushing Micro Four Thirds cameras that aren't much bigger. (Course, their sensors are actually smaller.)


The Good News: As I have alluded, I have come around on this camera. Push aside all of the uncool characteristics, focus on what it can do—shooting relatively still objects at relatively close range—and you get some seriously attractive photo work. I can't show them all to you—the wife lays down a general rule of not posting family pics in Giz reviews—but what I can show you should give you a decent idea of the DP2's capabilities, coupled with patience and some basic know-how, can deliver. I'll let them speak for themselves (and yeah, I already know you can do better with your mom's LG cameraphone, so let's go easy on the qualitative judgments):

The Rub: As much as I'd like to say it's a great camera for photographically inclined people to stash somewhere for certain situations, it's too damn expensive. It costs around $650 street price; for that money you can probably get a clearance-model DSLR model these days, maybe even with a kit lens. In the end, I've come to think of the Sigma DP2 as the Dogfish Head 120 Minute IPA of cameras: Beautiful in concept but complex, powerful and damn expensive—if you hit it everyday, it could well get the best of you. [Sigma]

In Brief
For a small-bodied camera, it has exceptional picture-taking capability and superior image quality

Its $650 cost can only be justified by a small percentage of wealthy photo enthusiasts

It's tricky to use at first

Crap battery life

No zoom lens or any other obvious point-and-shoot frills

http://gizmodo.com/5275208/sigma-dp2-camera-review-its-complicated

No want paper

I've always wanted to get all my files in digits. I wonder if this is the thing?

Giz:
NeatDesk to Eliminate Paper from Your Life, Maybe
By Jesus Diaz, 8:20 AM on Tue Jun 2 2009, 3,872 views
I loved the promise of the paperless office back in the 90s. It never happened. Paper only increased around me. But I came with an easy and cool solution to classify receipts, cards, and random paper: Trash everything. If I only had NeatDesk.

I like this thing. It's probably because of the 2001: Space Odyssey retro look. Or the fact that this $400 Automatic Document Feeder for PC and Mac takes the hassle out of scanning and cropping documents by having slots for each kind of most common and annoying paper bits—namely business cards, receipts, and invoices.

Or maybe it's just that the procrastinator in me loves the idea of putting a whole lot of old receipts, business cards, and invoices all at once, and have the NeatDesk handle everything, creating address books, making searchable PDFs, and adding information to Quicken, Excel, or Quickbooks. Uncrate says that the automatic organization actually works "surprisingly well" and now I would like an excuse to try it.

But then again, I think I will stick to my previous method. It works great

http://gizmodo.com/5275405/neatdesk-to-eliminate-paper-from-your-life-maybe